LILY MARSLAND

Beyond film, I'm drawn to anything that sparks inspiration and pushes my creativity further.

I write poetry and music as a way to explore emotion and storytelling in a more personal, unfiltered form. I also model and act, using visual and physical expression to bring fun and new ideas to life from different angles.

Whether it's through words, sound, or image, I'm always experimenting and pushing myself to create, connect, and evolve beyond a single medium.

Music

Music is a huge part of who I am as an artist — it inspires me and is another medium I look to as part of my storytelling.

Alongside writing and performing for Bristol-based bands Treemask and Blufin, I released my debut solo track earlier this year.

Butterfly Effect explores the quiet desperation of watching someone you love remain in an unhealthy relationship — wishing you could rewind time and alter the chain of events that brought them there.

My music is often rooted in soft folk and jazz textures. Songwriting, like my poetry, is my way of making sense of the world — transforming personal experience into something intimate, reflective, and deeply relatable.

Butterfly Effect — Debut Single

Writing

I write both journalistic pieces and poetry, reflecting on how I see the world and the social issues that matter to me. My work often centres on the female experience and has been published in magazines such as Grunt Magazine and Heroica.

My poem Lavender is one of my favourites — exploring themes of girlhood, love, and heartbreak.

Lavender

Lavender has always been my favourite flower. My favourite scent. My favourite colour. When I was a child I would pick and pluck the stems on the way to school. Rubbing it in my palms and stuffing the crumbs in my pocket to play with when I was bored of chewing my gums or plaiting my hair.

Lavender is the beaten, worn pavement and the sun cream smeared school uniform of summer. The gingham print amongst green grass and blistering monkey bars.

Lavender has always been my favourite flower. For my thirteenth birthday my auntie gave me a lavender perfume. It would sit on the shelf as I would savour it for every 'special occasion' — (special occasion being a boy/girl party at the local park), Spraying it on my wrists and neck and hair and stomach and thighs as every pre-teen girl does.

Lavender is the girls I grew with, the eyeshadow stained fingertips, the sugary sweetness of strawberry laces and secrets slipping into eager ears at sleepovers.

Lavender has always been my favourite flower. When I was seventeen I recall tipsily looking up and deciding that the lavender sky, dusky and desperate to be indigo, was in fact my favourite colour in the whole world.

Lavender is the thrilling epiphany of insignificance. The fading summer sunset, cheap white wine, dizzy nights which were infinite of kisses and dancing and the burning laughter of never growing up.

Lavender has always been my favourite flower. When you left me I couldn't sleep. My mother drowned me in lavender essential oils to rid my insomnia.

The other day I walked past a lavender bush. The smell hit me like a high, infusing itself into my bloodstream and rushing to my temple. Yet I did not picture the summer days of monkey bars or the indigo wine dizzy skies. Instead, it was the smell of my heartbroken corpse convulsing in twisted sheets drenched in lavender. It was the smell of old sex and my abandoned body. Blurred boundaries of skin and sin and lucid hope. My acid tears reacting with the potent oils and staining the bed you left me to rest in. A pitiful attempt to mask the decay.

Roses have always been my favourite flower. Yes. Roses will do.

Modelling & Acting

Modelling and acting let me explore storytelling from the other side of the lens — bringing ideas to life through visual and physical expression.